Find ongoing Viola Spolin improvisation workshops at www.violaspolin.org

Find ongoing in-person and online Viola Spolin workshops and intensives as well as Improvisation for Writers and other courses posted at www.violaspolin.org

About the workshops:

Viola Spolin’s Theater Games launched the American improvisational theater movement and changed the way acting is taught. Her work has influenced generations of actors and educators. Theater Games release the intuition through focus, spontaneity, and play, opening up new avenues of expression and communication in your creative work and in your daily life.

In the workshops with sidecoach Aretha Sills, we’ll explore the groundbreaking exercises and theatrical concepts found in Spolin’s seminal book Improvisation for the Theater, with an emphasis on the philosophies of legendary improvisation innovators Spolin and Paul Sills, and on applying Spolin’s meditative methods to your work in any artistic discipline. See our Registration page for a complete list of upcoming workshops around the country.

About side-coach Aretha Sills:

All workshops will be sidecoached by Aretha Sills. The granddaughter of Viola Spolin, Aretha studied for many years with her father, director Paul Sills (creator/director of The Second City and Story Theater), and has conducted workshops for Paul Sills’ Wisconsin Theater Game Center, Bard College, Stella Adler Studio of Acting, Stockholm International School, Sarah Lawrence College, and Northwestern University. She has worked with Tony- and Emmy-Award winning actors and has trained faculty from Northwestern, DePaul, Columbia College, The Second City, The Alan Alda Center for Communicating Science, LAUSD, CETA, and many other institutions and schools. She is the Associate Director of Sills/Spolin Theater Works and she directs The Predicament Players.

Aretha received her MFA from UC Riverside, where she was a Gluck Fellow, the Graduate MFA Fellow, and the Dean’s Distinguished Fellow. She has been a lecturer in creative writing at UCR. Her fiction, non-fiction, and poetry has appeared in the Los Angeles Review of Books, Maybelle, The Utne Reader, Calyx, South Bank Poetry Review, and Qua. Her piece, Muddy Waters and Mozart: Remembering Townes Van Zandt, was featured in LARB’s first print edition. 

To be notified about upcoming workshops, or to inquire about private coaching or workshops for your school or group, please email. 

Quotes:

“We have been improvising and working with Spolin games for over forty years. But whenever Aretha is teaching a workshop, we jump at the chance to take it. She is so steeped in the games that (of course!) she was able to translate them to the Zoom format — and it was if the play became even more focusedwith her sure and gentle guidance. Conronvirus be damned! Theater games still powerfully connect and create extraordinary theatre.” – Deb Lacusta & Dan Castellaneta, The Simpsons, actor & writers

“I have never felt more focused. I thought you were absolutely wonderful and truly supportive.  It made my summer. Your ability to teach on Zoom in spite of the dread of Covid-19 hanging over us was phenomenal.” – Bill Steinkellner, Four-time Emmy award winning show runner; Creator/Director of Instaplay

“Thank you for a wonderful class — for directing us back to the practical and ingenious philosophy and games of Viola Spolin. It has expanded my sense of what is possible in terms of teaching online. Accepting where we are and the reality around us, and also the possibilities has been a health-giving experience. I had fun, and felt invigorated and refreshed after your class, and hope to give some kind of similar experience to my students. Their responses to Spolin’s exercises are full of surprise and excitement. The students allow themselves to be present and at ease.” – Stephanie Hunt, Actor/Director/Theater Lecturer, Stanford University and University of San Francisco

“Phenomenal translation to Zoom. I took at least two of your classes in person and while we all bemoan and miss live, embodied practice, this experience was just as powerful. In a different way. I’d do this kind of work with you every day if I could.” – Marcy Willis, Leadership Coach & Consultant, Actress, Facilitator

“Aretha is dedicated to preserving the pureness of this technique, which from my point of view assists the actor to find the courage to find themself and then to fly. I believe she has, innately and amazingly, all the elements of the technique of both Viola Spolin and Viola’s son, the extraordinary director, Paul Sills. I have studied with Aretha, and believe me, the thrill lives on.” – Paul Sand, Tony award winner, Paul Sills’ Story Theater; Original Second City cast member

“As an educator and instructor of acting and directing, I was eager to learn about the American theater improvisation developed by Viola Spolin and expounded by Paul Sills. Aretha Sills provides an insight into the authentic roots of the system that has been utilized for years by theatre training programs. The workshop will provide you with an excellent opportunity to explore various games and exercises to enrich your view of performance and acting.”  -Norma Saldivar, professor and chair, UNLV Department of Theatre, and executive director of the Nevada Conservatory Theatre

“I have no desire to be an entertainer and still get nervous when I speak to groups. I fear appearing silly. But I knew there was a little door inside of me that needed to be opened. That the shy, quiet, serious child wanted to be free. So nerves and all, I jumped feet first into Aretha Sills’ intensive Spolin workshop. I felt safe. The word “silly” became “playful.”  At the end, I was tired and a little relieved — but oh so proud of myself.  Viola Spolin said, ‘Get out of your head, into the space and await the invisible stranger.’  Thanks to Aretha, I found that stranger and she is me.” -Barbara Meltzer, Barbara Meltzer & Associates Public Relations and Marketing

“Aretha is one of the century’s best improvisation teachers. Like her grandmother before her, she understands people, theater, and improvisation in an intuitive and deep way. As someone who has studied with some of the top teachers in the country and has performed for over 15 years, I can honestly say Aretha’s work opened my eyes. I understood improv on a deeper level. I was refreshed and returned to beginner’s mind.” -David Alger, founder Pan Theater

Sign up to be notified of upcoming workshops:

Visit here to join our mailing list.

Tribute to Viola Spolin and Paul Sills at Jane Addams Hull-House Museum

I am thrilled to share the news about the first-ever tribute to Viola Spolin and Paul Sills, presented by Jane Addams Hull-House Museum on June 20th, 2019.

Participants celebrated the innovations and legacies of Chicago theater legends Spolin and Sills with reflections, tributes, and of course, theater games! View the CAN-TV broadcast and see photos here.

Emceed by Mark Larson, author of the forthcoming “Ensemble: An Oral History of Chicago Theater,” speakers included: Jennifer Scott (Director and Chief Curator of JAHHM), Lisa Laws (Deputy Commissioner of Chicago’s Dept of Cultural Affairs), Christine Dunford (Director of the School of Theater and Music at UIC and founding member of Lookingglass Theater), Aretha Sills (Associate Director of Sills/Spolin Theater Works and Spolin side coach), Jeffrey Sweet (Playwright/ theater historian/ author of “Something Wonderful Right Away”), Paul Sand (Tony-winning actor/ Viola Spolin’s Young Actors Co/ The Second City/ Paul Sills’ Story Theatre), Carol Bleackley Sills (Director of Sills/Spolin Theater Works/ Spolin’s editor/ Sills’ artistic collaborator), Dan Castellaneta (Emmy-winning voice actor for The Simpsons/ playwright/ improviser), Deb Lacusta (writer for The Simpsons/ playwright/ improviser), Warren Leming (Story Theater actor/ filmmaker/ musician), Jennifer Green (Artistic Director of The Piven Theatre), with recorded reflections from Amy Pietz (SAG award-winning actress), Kevin Douglas (actor/ playwright/ director), Patrick Murphy (former head of Depaul’s Theatre School), and John C. Reilly (Tony, Oscar and Golden Globe nominated actor), and theater games side-coached by Aretha Sills with players Rachel Sills, Make Keene, Cordis Heard, Solomon D. Mason, Michael Brunlieb, Gillian Hemme, Paul Sand, Dan Castellaneta, and Deb Lacusta.

It was a very special honor that the event took place in the historic Hull-House dining hall where Progressive-era reformers, including Spolin’s revered teacher Neva Boyd, had gathered. The hall is too small to hold all who we wished could celebrate with us, but we hope you’ll enjoy the broadcast at the link below!

Sills/Spolin Theater Works extends our sincere and deep gratitude to the tireless organizers Jennifer Scott, Ross Stanton Jordan, and all the dedicated staff at JAHHM, Mark Larson, Beth Kligerman, and the sponsors including The Second City, UIC Theatre and Music College of Architecture and Design, 2019 Year of Chicago Theatre, and Cornelia McNamara Flowers and Parties.

View the CAN-TV broadcast here and see photos here!

Alan Alda, Laura Lindenfeld, and Aretha Sills in Conversation at AIN Conference

What an amazing night! Alan Alda, Laura Lindenfeld, and Aretha Sills talked about the 10th anniversary of the Alan Alda Center for Communicating Science and how his work with Paul Sills and Viola Spolin was an inspiration for the original idea and program. It was an absolute pleasure and honor to learn about the exciting and vital work they are doing in science communication!

The event was part of the Applied Improvisation World Network Conference at Stony Brook University this August.

View photos here.

Talk on the History of Improvisation at the Global Improvisation Initiative Symposium

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Aretha Sills speaking about Jane Addams at the 2017 Global Improvisation Initiative Symposium.

On May 12th, I gave a talk at the first annual Global Improvisation Initiative Symposium at University of California, Irvine. Titled “A Search for Community: Viola Spolin, Paul Sills, and the Origins of Improvisational Theater in the U.S.”, the talk and Q&A traced the roots of their work to the radical Progressive-era philosophies cultivated at Jane Addams’ Hull House in Chicago using stories, personal history, photographs, and Spolin and Sills’ own words and writing.

In 1955, Paul Sills’ called the new improvisational theater, Compass, “a search for a community.” Viola Spolin (originator of Theater Games and author of Improvisation for the Theater) and Paul Sills (founding director of Compass, The Second City, and Story Theater) created a form of theater that celebrated American ideals of liberty, community, and democracy.

Townes Van Zandt Interview in First Print Edition of Los Angeles Review of Books

My piece about a 1994 interview with Townes Van Zandt is featured in the first print edition of Los Angeles Review of Books (the Spring 2013 issue), which they describe as “a selection of our best interviews and author questionnaires.”

Learn more at the LARB blog.

 

 

 

 

 

 

 

 

The LA Review of Books Questionnaire Interviews Aretha Sills

Read a brief interview with me at Los Angeles Review of Books. As usual, I am unable to refrain from my three favorite subjects: Merle Haggard, Charlotte Bronte, and compulsion.

“Q: Title of the book you’re probably never going to write, but would kind of like to get around to? Continue reading

Muddy Waters and Mozart: Remembering Townes Van Zandt in The Los Angeles Review of Books

In 1994, I interviewed Townes Van Zandt for Maybelle, the country music fanzine I co-edited. On the fifteenth anniversary of his death, Los Angeles Review of Books published my essay about the experience, Muddy Waters and Mozart: Remembering Townes Van Zandt. Check out the photos from Maybelle’s Fall 1994 issue. Someday I’ll write the story of a fanzine…

I’m happy to say this interview/essay was selected by LARB’s Senior Editor Julie Cline as one of her three favorite non-fiction pieces from their first year, and was picked up by Longform.org, Byliner, and 3quarksdaily, among other sites that curate longer pieces.

Continue reading

Bo Diddley, the Poem, in Dilemna

My poem “Bo Diddley” appears in Dilemna Issue 1, a new art zine edited by Tammy Zo Pollard (the misspelling of dilemma is intentional!).

See a preview and purchase here.

 

 
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